Kevin Clark Poetry
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“For me the initial delight is in the surprise of remembering something I didn’t know I already knew.”

—Robert Frost

“There is only one plot: Things are not what they seem.”

—Jim Thompson

“Poetry begins where certitude ends.”

—Eavan Boland

“I like restraint—if doesn’t go too far.”

—Mae West

“Writing is easy. All you have to do is cross out the wrong words.”

—Mark Twain

“Let’s play two.”

—Ernie Banks

“The art of running the mile consists, in essence, of reaching the threshold of consciousness at the instant of breasting the tape.”

—Paul O’Neil

“How old would you be if you didn’t know how old you are?”

—Satchell Page

“Poetry is a dream dreamed in the presence of reason.”

—Tommaso Ceva

“Keep your eye clear and hit ’em where they ain’t.”

—Wee Willie Keeler

“The art of writing is the art of discovering what you believe.”

—David Hare

“In the midst of our happiness we were very pleased.”

—Gertrude Stein

“A work of art is never completed, merely abandoned.”

—Paul Valery

Biography

Kevin Clark Portrait in Pink Shirt Against Green WallKevin Clark’s third full-length collection The Consecrations is issued from Stephen F. Austin University Press. Winner of the Lena-Miles Wever Todd Poetry Series Book Competition, Kevin’s Self-Portrait with Expletives was published by Pleiades Press and distributed by LSU Press. His first full-length collection, In the Evening of No Warning (New Issues Poetry and Prose), earned a grant from the Academy of American Poets. Clark also won the Angoff Award for best contribution to The Literary Review, an Artsmith fellowship, and a Bread Loaf fellowship.

The author of four chapbooks, Clark has published poems in such journals as the Georgia Review, Iowa Review, Antioch Review, Crazyhorse, Southern Review, Prairie Schooner, Copper Nickel, Ploughshares, Gulf Coast, and Poetry Northwest. One of his poems was anthologized in The Notre Dame Review: The First Ten Years.

Clark also writes essays about literature, some of which have appeared in magazines such as the Iowa Review, Southern Review, and Contemporary Literary Criticism. Formerly a critic for The Georgia Review, he has published essays in books about Ruth Stone, Charles Wright, and Sandra McPherson.

Clark taught at both Cal Poly and the Rainier Writing Workshop. Recipient of two teaching awards, he has written a textbook on writing poetry, The Mind’s Eye: A Guide to Writing Poetry (Pearson Longman).

He lives with his wife, activist Amy Hewes, on California’s central coast.

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