Kevin Clark Poetry
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“For me the initial delight is in the surprise of remembering something I didn’t know I already knew.”

—Robert Frost

“Writing is easy. All you have to do is cross out the wrong words.”

—Mark Twain

“Poetry is a dream dreamed in the presence of reason.”

—Tommaso Ceva

“Let’s play two.”

—Ernie Banks

“The art of running the mile consists, in essence, of reaching the threshold of consciousness at the instant of breasting the tape.”

—Paul O’Neil

“In the midst of our happiness we were very pleased.”

—Gertrude Stein

“I like restraint—if doesn’t go too far.”

—Mae West

“A work of art is never completed, merely abandoned.”

—Paul Valery

“There is only one plot: Things are not what they seem.”

—Jim Thompson

“Poetry begins where certitude ends.”

—Eavan Boland

“Keep your eye clear and hit ’em where they ain’t.”

—Wee Willie Keeler

“How old would you be if you didn’t know how old you are?”

—Satchell Page

“The art of writing is the art of discovering what you believe.”

—David Hare

In Between

I’d always told myself
the late night moonlight
glow riding her skin as
she slept was a matter
of pure matter, simple
science. The way the world
builds itself. I believed her
low blaze to be atomic
deceit, particles arranged
to dupe me back into
an abiding realm where
the question is written
as a rhetorical answer—
a shimmering borealis
claiming true north.
But then she’d lift
from the bottom layer
of a dream to pull my face
toward her, squinting
at some nether version
of the fool she knew
she’d married for love—
and I’d try to sleep.

One midnight the farmhouse
we rented dead center
of the almond orchard
shook in moonless wind
as if to dare me into
the dark. And it did—
I left our bed, stepping
soundlessly onto
the peeling porch,
then upon the patch
of night-black grass, and
stood as still as the wind
would allow. I could hear
in the infinite webs
of almond limbs a high
voice I knew was no
voice, but, rather, a siren
risen from ancient ganglia,
the sound of a whistling
taunt, a tinnitus
betraying my belief
in only the tactile. And
even if it were nothing
more than high-pitched
worry sending me back
to her side all aching
night, I held out
my hand, tried to gauge
the untouchable
hovering from her—

[Poetry Northwest]
—from The Consecrations, by Kevin Clark

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  • Welcome
  • About
    • Biography
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    • Interviews
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    • In the Evening
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